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Keeping The World Focused On The Arab Spring
Through The World's Most Powerful Tool The Art
of Film The 21st Century Visual Communicator

Panaroma - Death For Sale - Director Faouzi Bensaidi
In a bold move by a Festival Director, at the Berlinale 2011 Dieter Kosslick demonstrated unprecedented public support for Jafar Panahi who was invited but unable to attend the event due to arrest by the Iranian Government. This year the Berlinale showcases and encompasses in every sector of its repertoire a Focus on the Arab Spring - From and About the Arab World.

Radical political and social changes in the Arab world were triggered by a series of mass uprisings and demonstrations a little more than a year ago. At times bloody, the revolutions in Tunisia and Egypt were just the beginning and Gaddafi's fall in Libya followed, as did unrest in other countries with civil war-like conditions still prevailing in Syria today.

Social networks as well as the many films of these major protest movements and the ensuing violence have contributed substantially to the perception of these uprisings in the Arab world.

The program of the Berlinale 2012 Focus on the Arab Spring - From and About the Arab World addresses what has become known as the Arab Spring, and examines its developments from different perspectives and in a variety of forms.

In the program at the Berlinale and European Film market (EFM) are documentary films that depict the region and recent events from the viewpoint of Arab directors and of filmmakers from other parts of the world. Though there are also fictional and documentary films by Arab directors that explore these regions without directly addressing the revolution, which deal with crucial existential questions and the need to define their identity, in some cases this has been reflected in humor. Besides the films screening in the different Berlinale sections, Arab cinema also has films showing at EFM.

In addition, The Berlinale is organizing a number of panel discussions on the Arab world and filmmaking. Guests include writer Tahar Ben Jelloun (Morocco/France), filmmakers Mahmoud Hojeij (Lebanon) and Nadia El-Fani (Tunisia/France), filmmaker and journalist Mohamed Ali Atassi (Syria/Lebanon), artist and curator Maha Maamoun (Egypt), curator Sarah Rifky (Egypt), director and film activist Hala Al Abdallah (Syria/France), producer and filmmaker Hala Galal (Egypt), and producer Javier Bardem (Spain).

Editorial Comment EFM 2011: Breaking The Culture Of Fear & Promoting Freedom Of Speech And Individual Creativity & The Vital Role Film Plays In Ensuring Democratic Transparency

The full program at the Berlinale is below for perusal ease.

Berlinale Talent Campus – Panel discussions

Indie Filmmakers Guide to Cross-Media II: Engaging 21st Century Audiences Across Multiple Platforms
With Jigar Mehta, video journalist,
Inga von Staden, Filmakademie Baden-Württemberg (Germany),
Timo Vuorensola, director (Finland)
Moderated by Liz Rosenthal (founder and director of Power to the Pixel)

Beirut Calling: Contemporary Video Art from Lebanon
With Mahmoud Hojeij, director (Lebanon),
Ahmad Ghossein, director (Lebanon),
Gheith Al-Amine, director (Lebanon),
Moderated by Marcel Schwierin (filmmaker, curator, artistic director Arab Shorts)

Changing perspectives: The Arab World Defining Its Future
With Tahar Ben Jelloun, writer (Morocco/France),
Nadia El-Fani, filmmaker (Tunisia/France),
Viola Shafik, documentary film maker, film scholar, writer (Germany/Egypt)
Moderated by Vincenzo Bugno (WCF)
Supported by the Euromed Audiovisual Programme of the European Union

World Cinema Fund
On February 15, 2012, World Cinema Fund Day will address the topic Filmmakers and the Arab Spring / Insurgency, Poetry and Engagement in two panel discussions:

Focus Syria
With Hala Al Alabdallah, filmmaker, producer, film activist (Syria/France)
Mohamed Ali Atassi, filmmaker, journalist (Syria/Lebanon)
Alaa Karkouti, film journalist (Syria/Egypt)
Moderated by Vincenzo Bugno (WCF)

Documenting Revolution
With Hania Mroue, festival organiser, producer (Lebanon)
Nadia El Fani, filmmaker, (Tunisia/France)
Hala Galal, filmmaker, producer (Egypt)
Nora Younis, journalist, activist, blogger (Egypt) TBC
Moderated by Vincenzo Bugno (WCF)
Supported by the Euromed Audiovisual Programme of the European Union

Forum Expanded
Cairo: The City, the Images, the Archives
With Khalid Abdalla, actor, producer, co-founder of Zero Film Productions (Egypt), Hala Galal, filmmaker, producer, director of SEMAT production & distribution, new director of Cinematheque Cairo (Egypt)
Maha Maamoun, artist, curator and co-founder of Contemporary Image Collective (Egypt) Sarah Rifky, curator of Townhouse Gallery, founder of Cairo International Resource Center for Art, documenta 13 agent (Egypt)
Moderated by Marcel Schwierin

Forum Expanded Short Films
As they say by Hicham Ayouch, Morocco/United Arab Emirates
Bye Bye by Paul Geday, Egypt
King Lost His Tooth by Gheith Al-Amine, Lebanon
T.S.T.L. by Gheith Al-Amine, Lebanon
My father is still a communist - Intimate secrets to be published by Ahmad Ghossein, Lebanon/United Arab Emirates

Installations (Gutschow-Haus)

On Love and Other Landscapes
Palestine 2011
Yazan Khalili

Road Movie
Canada 2011
Elle Flanders, Tamira Sawatzky

Films in Panorama
Death For Sale by Faouzi Bensaidi, Belgium/France/Morocco/United Arab Emirates (funded by WCF)
Three young men living in Tétouan: Malik is in love with Dounia and wants to help her give up her job as a prostitute. Soufiane spends his days pilfering. Allal is a drug runner. The three friends hope that a raid on a jewelry shop will be their path to a new life.

In The Shadow of a Man by Hanan Abdalla, Egypt
In the wake of the Egyptian revolution four women describe events from their perspective and talk about what it means to be a woman in Egypt on the way to another life in a new society. A courageous, intimate and politically explosive portrait.

La Vierge, les Coptes et Moi (The Virgins, the Copts and Me)
by Namir Abdel Messeeh, France/Qatar/ Egypt (also screening at EFM)
Against the background of the recent Egyptian revolution the director explores the phenomenon of alleged appearances of the Virgin Mary to Coptic Christians. His skeptical search leads to a fictional reinterpretation of reality that turns his film into a comedy about documentary filmmaking.

The Reluctant Revolutionary by Sean McAllister, Great Britain
Yemeni tour operator Kais is at first reluctant to get involved in the protests that engulf Sana'a in the wake of the Arab Spring uprisings. But when a friend is shot dead he too decides to rise up against the president and join the revolution.

Wilaya by Pedro Pérez Rosado, Spain
After living in Spain for sixteen years Fatimetu returns to the Saharan refugee camp where she lived as a child, and where she and her sister now find a way of earning a living together. But Fatimetu is torn between life in the desert and her memories of Spain.

Words of Witness by Mai Iskander, USA
This documentary follows a young Cairo journalist named Heba Afify. An impressive portrait of one woman's attempt to give a voice to the new diversity of opinion in Egypt and struggle for her own place in society.

Al Juma Al Akheira (The Last Friday) by Yahya Alabdallah, Jordan/ United Arab Emirates Taxi driver Yousef is forced to bring some order into his failed existence. This lovingly photographed film casts a laconic and occasionally humorous gaze on daily life in the Jordanian capital Amman.

Berlinale Special
Hijos de las nubes, La última colonia (Sons Of The Clouds, The Last Colony) - Documentary by Alvaro Longoria, Spain The story of a forgotten colonial war in Western Sahara and the dedication of an internationally renowned actor. A documentary that examines the fate of a neglected people and explores the opaque and often callous paths of international diplomacy. Followed by a discussion with director Alvaro Longoria and producer Javier Bardem

Althawra... Khabar (Reporting ... A Revolution) – Documentary by Bassam Mortada, Egypt
A film about the pivotal role played by independent media during the recent Egyptian revolution. Six journalists share their intense, shocking experiences – and admit to the impossibility of maintaining a neutral stance in the face of such brutal oppression. Followed by a discussion with the director and other guests

Films at the EFM

In My Mother's Arms by Mohamed Jabarah Al Daradji, Atia Jabarah Al
El Gusto by Safinez Bousbia, Ireland
Half Revolution by Omar Shargawi, Karim El Hakim, Denmark
Gate #5 by Simon El Habre, Lebanon/Germany/Canada
Cinema Jenin by Markus Vetter, Germany/Israel
5 Broken Cameras by Emad Burnat, Guy Davidi, The Netherlands/ France/Israel/Palestine

Feature films:
Rough Hands by Mohamed Asli, Morocco
My brother the Devil by Sally El Hossaini, United Kingdom
How big is your Love by Fatma Zohra Zamoum, Algeria/Morocco
The Last Friday by Yahya Al-Abdallah Jordan/United Arab Emirates
Asmaa by Amr Salama, Egypt
The Rif Lover by Narjiss Nejjar, Morocco/France/Belgium

Films screening at the EFM as well as in one of the festival sections:

Death For Sale by Faouzi Bensaidi
In The Shadow of a Man by Hanan Abdalla
La vierge, les Coptes et Moi (The Virgins, the Copts and Me) by Namir Abdel Messeeh
Wilaya by Pedro Pérez Rosado
Words of Witness by Mai Iskander

Al Juma Al Akheira (The Last Friday) by Yahya Alabdallah

Members of this year's juries from Arab countries are:
International Jury: Boualem Sansal, writer (Algeria)
International Shortfilmjury: Emily Jacir (Palestine)
Jury for the Best First Feature: Hania Mroué producer, festival organiser (Lebanon)


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