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Today - Oct 13 - Featured Trailer - Family Series


Product Profile - Pre-School Series - Day 1 - Oct 13th

ELSPETH TAVARES
Editorial Comment MIPJunior 2018
The Impact Of The Digital Environment And The Long Term
Effect Of Children Watching Content That Consists Of And
Is Based Solely On Cartoon Characters.
 

Fluffy Markey - produced by Blachfilms
 
There are some 775 Animation programs at MIPJunior across all the formats and genres of animation available to content distributors for worldwide distribution. Much of the content is available via platforms such as YouTube, where parents can ‘order’ the viewing to suit their how, where, and when schedules.

The marketing expenditure of a company on a particular animation programme correlates directly to its international success. Which raises the questions, what motivates the scripts - its editorial values or its merchandising potential?

In a recent survey among friends with children between ages 4  and 9, the core segment that consistently watch animation, TBOF discovered from its small sample (in a London pre-school), there is an eerie disconnection from reality in which the children disappear into an environment where they believe these characters actually exist. Psychologists would argue to a point that a make believe world can be good for children. However there is a non-clinical reality. TBOF recently witnessed a child maybe 8 at a bus stop in Kensington HighStreet, an up-market enclave of London. The child was verbally acting out a scene from a recent programme he had seen - taking 2 parts the aggressor and the ‘good guy’. His nanny, was oblivious (on her iPhone) and not attentive. Another individual at the bus stop was also intrigued – collectively we wondered could it be the child just needed human attention?

The correlation is the lack of reality. Which further begs the issue - what is the global impact of animation and programmes geared to children aged 4 to 9, as they grow up in the digital world living between reality and fiction. That can only be answered in the long term through targeted research. In the immediate term one of the answers could be the blending of live action and puppetry as illustrated in Fluffy Marky from HG Distribution, or photo real images animation from programmes such as Mighty Mike available from Cake Entertainment. Both these programmes for children appeal to different levels of growth. Fluffy Marky is aimed at teens, Mighty Mike with no dialogue at 2-5 year olds. Fluffy Marky, produced by Blachfilms, is an award-winning, live-action scripted series with a positive engendering story about bullying, friendship and putting yourself in someone else’s shoes ~ whether they belong to the class nerd, the school bully, or a fluffy puppet.



Mighty Mike, produced by TeamTO’s pioneering animation software, has resulted in unprecedented photoreal animals with a level of expression that has not previously been achieved in a TV series. The animation is an endearing dialogue-free chase cartoon which features Mike, a refined pug with sophisticated tastes.

Demo reel of animation produced by TeamTo based in Bourg-lès-Valence southeastern France. In an historic first TeamTO was invited to create the official welcome video for the 2018 Annecy International Animation Film Festival, which featured the star of its international hit series Angelo Rules taking a virtual reality skateboarding romp around Annecy.

The long term consequence of how children will grow up in our now digital world needs to be continually addressed by the makers of content aimed at the future generation. Both Blachfilms and TeamTo are paving the way to Interject, and interconnect, the fiction world of entertainment with the real world in which humanity exists.

Fluffy Marky has received a number of awards including the Youth Media Alliance - 2 Awards Of Excellence 2018 for season 2, and the Grand Prize for Best Production (All Categories) & Best Television or Web Series – Advancement of Personal Growth and Self-Transcendence Best Screenplay (Benoit Lach & Vincent Lafortune) season 2, at the Vancouver Web Fest 2018, Prix Gémeaux 2017 Awards - Season 2, Best Original Program or Series produced for Digital Media: Youth, and Best Fiction and Drama Series at NUMIX 2017 (Quebec). Fluffy Markey seasons 1 and 2 produced by Blachfilms has being acquired by Canal+ and TéléTOON+ for TV and webseries rights and will be adapted for the French public and set to broadcast next November. Season 3 season is recently completed and available. https://hgagnondistribution.com/en/titles/youth/fluffy-marky

Mighty Mike
Mighty Mike is an original TeamTO production with Canada’s Digital Dimension, and is the first series to use TeamTO’s pioneering animation software, resulting in unprecedented photoreal animals with a level of expression that has not previously been achieved in a TV series. The show premieres at MIPCOM through international agent... Read more
 
Louise Bucknole
Louise Bucknole, VP Programming Viacom International Media Networks Kids (VIMN), said, “We’re delighted to welcome Sunny Bunnies to Milkshake! which is the number one UK preschool destination for kids during weekday mornings.” Prior to the start of MIPCOM, Media I.M. Incorporated, the London-based... Read more
 
Pierre Sissmann
Gigantosaurus is based on the bestselling book by world-renowned author Jonny Duddle, published by Templar. The full-CGI comedy action series brings preschool viewers along on the adventures of four young dinosaur friends as they explore their prehistoric world and the mystery of Gigantosaurus, the biggest... Read more
 
Alice Webb
The growth of kids programming has grown exponentially - at MIPJunior there a 775 programmes aimed at this segment of the viewing audience. Children are early adopters, making the kids industry a cradle of disruption. As viewing patterns are shifting rapidly, revenues are shifting in all directions - nothing is stable, nor steadily growing. It’s increasingly about finding strong, innovative... Read more
 
Bed & Biscuit
Following its recent distribution partnership withAnaney Communications Group, Global content producer and distributor Keshet International (KI), has signed two separate deals for a raft of tweens’ and teens’ finished content. As the Worldwide trends prevails for local audiences to prefer dubbed content... Read more
 
Atsushi Sogo
Atsushi Sogo, President of International Business Development, for Nippon TV, comments: “Celebrating our 65th Anniversary in 2018 and currently Japan's viewer ratings champion having topped all timeslot categories for four consecutive years, we are pleased to be unveiling new titles at this year’s MIPCOM.” ... Read more
 

Preview Featured Trailers - MIPCOM 2018
Featured Company - Incredible Film - Europe
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Behind the Clouds - At MIPCOM - Stand P-1.G63

Don't Shoot - At MIPCOM - Stand P-1.G63

Send Press Releases to: press@thebusinessoffilm.com
 
SkypeThe New World Standard Is Cost Efficiency
Communicate from Computer to Computer
Worldwide - FREE Is The New 4 - Letter Word


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